I design narrative scenarios for tabletop roleplaying games, including story structure, locations, encounters, and player-driven investigation.

Part of my design approach is creating visual handouts and props that support the gameplay experience — such as maps, letters, newspapers, and diagrams. These elements help players interact with the world directly and uncover the story through exploration.

This in-world handbook was created to guide players into the campaign setting of Elba — a mysterious archipelago of shifting alliances, hidden secrets, and strange encounters. It’s designed to feel like a travel dossier from within the world itself, combining maps, character rumors, item scraps and atmospheric notes into a cohesive visual experience.

Here, storytelling is woven into layout, typography, and texture. The goal is not only to inform, but to spark curiosity, theorycrafting and interaction right from the first page.

Maps have always fascinated me, not only as tools for navigation but as invitations to imagine.

This project began as a hand-drawn sketch, a way to feel out the shape of a world. From there I moved into digital design, refining the forms until the map carried both clarity and mood.

For me, a map needs to strike a balance between function and atmosphere. It should give orientation while also sparking curiosity, making you want to step into the world it represents.

This puzzle was created for a split-path dungeon challenge, where each player faced a unique obstacle while separated from the group.

I wanted to design something immersive that relied more on observation and intuition than complex riddles or calculations.

The Setup:

Players encountered a gallery of mysterious portraits and bowls marked with letters. In the center: a bowl of colorful stones. Without instructions, they must deduce how the colored stones should be distributed by studying the paintings. 

The artwork was AI-assisted, but the puzzle logic, layout, and pacing were entirely my own design.